Small Works
Created in a more intimate scale, these small original paintings bring together several distinct series, each reflecting a different thread within an evolving abstract practice.
Botanical impressions, fragments of memory, archaic echoes, imagined landscapes, and conversations in color unfold through layers of texture, gesture, and recurring marks. Though varied in inspiration, the works share the same intuitive process as larger paintings—allowing meaning to emerge slowly through the act of making.
Their smaller scale invites a closer kind of looking: individual worlds held within quiet, contained spaces.
Botanical forms shift into imagined landscapes as layers of coral, rose, ochre, yellow, and soft pink move across the surface, while textured greens and blues gather below like dense, untamed growth. Rough vertical marks rise through the paintings, suggesting trees or stems without fully becoming either.
Color, texture, and movement allow the landscape to remain somewhere between the familiar and imagined—a place where garden and horizon blur, and the viewer is invited to wander among forms that never quite settle into a single interpretation.
Where the Wild Garden Dreams
This series explores the way memories and dreams return—not as exact recollections, but as recurring impressions that shift and transform with each appearance. Though each painting stands on its own, the works were created as companions, inviting collectors to assemble their own constellation of echoes.
Echoes of an Archaic Dream
Inspired by my earlier painting, Mist-soft Whispers of Roses, this series of small paintings revisits a garden through color, texture, and recurring form. Soft pinks and greens mingle with deeper burgundy, lavender, and warm yellow, while circles, layered marks, and geometric forms appear and disappear across each surface.
Like memories themselves, these impressions shift, overlap, and return in unexpected ways, suggesting what might remain when a place is remembered not in detail, but in feeling. Together, the paintings invite the viewer to wander among these small whispers and discover what the garden remembers.
What the Garden Remembers
This was a color study that became a conversation with the paint. I wanted to see what would happen if I introduced chromatic black and silver into my usual palette while keeping the work recognizably mine. Sometimes a painting begins with an idea. These began with curiosity.
When Colors Converse
Intersecting lines emerge, disappear, and reappear through layers of color and texture, becoming part of each painting's foundation. Like memory itself, some traces remain clear while others become softened or obscured with time.
Not every thread is meant to be followed. Each painting offers a fragment of a larger whole, leaving space for the viewer to discover their own personal meaning.
Woven into Memories
